Virginia Giglio, Ph.D.   
CV Details                                  

Grant-Funded Projects:

College Music Society ARIA
$10,000 from the Recording Industry Association of America with additional in-kind contributions.

Oklahoma Foundation for the Humanities
$25,000 with matching funds from the University of Oklahoma. Multidisciplinary institute "American Indian Cultural Resources for Educators (Project AICRE)." 

Office of the Provost, University of Oklahoma
Instructional Support Grant for new course design.


Lectures and Presentations (Selected):

  • SCORE Presentations 2000-2001 Click to see information.
  • Lecture/Performance, The Native American Flute
    United Native Americans of Central Florida and The Menello Museum, Orlando, FL, September 2000.
  • Institute Director, College Music Society ARIA
    University of Miami, July 2000.
  • Panel on Global Views: To Whom Does Music Belong? College Music Society ARIA
    University of Miami, July 2000.
  • Seminar, Tribal Leaders and the Web
    Boca Raton, FL, December 1999.
  • Panel Presentation, Women in Technology
    College Music Society Annual Meeting, Denver, CO, 1999.
  • Institute, Teaching the Music of Native Americans. Faculty. University of California at Dominguez Hills, 1996.
  • Institute, Women, Music, and Gender. Faculty, Summer Institute sponsored by the College Music Society, Indiana University, 1996.
  • Lectures, Introduction to Native American Music. . . . By invitation, Connecticut College (New London) April, '96; Hartt School of Music of the University of Hartford, October and April, 1995-96.
  • Workshop, Songs, Dances, and Games of the Southern Plains Tribes. Music Educators National Conference (MENC) Biennial National Meeting, Kansas City, April, 1996.
  • Coordinator, Multicultural Workshops. Also, workshop, Teaching the Music of Native Americans. Connecticut Music Educators Association (CMEA) Annual In-Service Conference, Stamford, CT, March, 1996.
  • Workshop, Ethnomusicology for Educators.... Simpson University Department of Music, Indianola, Iowa, January, 1996.
  • Lecture and Teaching Demonstration, An Introduction to Vocables. By invitation. College Music Society Annual Meeting, Portland, OR, 1995.
  • Paper, Uber die Musik der Nordamerikanischen Cheyennes: from Theodore Baker to the Present.... International College Music Society Conference, Berlin, Germany, June 1995.
  • Workshop,  American Indian Hand Game Songs. MENC Eastern Division Conference, Rochester, NY, March 1995.
  • Paper, Native American Hand Game Songs and the Ghost Dance Movement of the Nineteenth Century. College Music Society Annual Meeting, Savannah, October 1994, Northeast Chapter, Society for Ethnomusicology, Middletown, CT, April 1994.
  • Paper, The American Indian and the Politically Correct Curriculum. New England Conference of Independent Schools, Providence, RI, October, 1994.
  • Institute, American Indian Cultural Resources for Educators (Project AICRE). Faculty. University of Oklahoma, Norman, OK, July 11-24, 1994. (Two week cultural immersion institute.)
  • Paper, Southern Cheyenne Women's Songs. Wesleyan University Colloquium, Middletown, CT, October 1993, Society for Ethnomusicology, Annual Meeting, Seattle, October 1992.
  • Paper, Student Rituals: What They Can Teach Us.... College Music Society, San Diego, October 1992.
  • Workshop, American Indian Music Materials for Classroom Use. Kodaly Educators National Conference, Norman, OK, April 1992, Oklahoma State Arts Council, July 1992.
  • Workshop, Ethics and the Use of Native American Music in the Classroom. Oklahoma Music Educators Association State Conference, Oklahoma City, January 1992.
  • Lecture, The Sounds of Seven American Indian Music Cultures. By invitation. Thomas A. Gilcrease Museum, Tulsa, OK, November 1992.
  • Lecture, Tradition in Contemporary Native American Music. . . . By invitation. University of Oklahoma Museum of Art, August 1992 (in conjunction with the exhibit "Allan Houser: A Life in Art.")
  • Lecture and Video Presentation, Shaking the Gourd, Dancing with the People. Society for Ethnomusicology, Annual Meeting, Chicago, October 1991. Video filmed by Pat Horton, produced by Virginia Giglio.
  • Paper, Mining Rough Diamonds: Guiding Undergraduate Ethnomusicology Research Projects in Courses for General Students. College Music Society Annual Meeting, Chicago, Oct. 1991.
  • Paper, The Cheyenne And Arapaho Benefit Dance: a Microcosm of Native American Cultural and Aesthetic Values. . . . College Music Society, Regional Meeting, Lawton, OK, March 1989.
  • Workshop, Aesthetic Education in the Kindergarten. Chicago Area Teacher of Young Children, Annual Meeting, February 1986.

Media Broadcasts and Collaborations:

  • Radio interview, American Indian Music Today. Length, one hour. Westdeutscher Rundfunk (WDR - German Public Radio), 1995.
  • Series consultant, MUSIK CULTUR (Music in Culture) Westdeutscher Rundfunk, 1995.
  • Video, Shaking the Gourd, Dancing with the People. In collaboration with Patrick Horton. University of Oklahoma College of Fine Arts, 1991.
  • Video, Opera for Little People. In collaboration with John Feierabend. Norman, Oklahoma Public Schools Community Access Channel 29, 1987.

Professional and Community Affiliations:

National Academy of  Recording Arts and Sciences (NARAS)
Voting Member (GRAMMY AWARDS)

Latin Academy of  Recording Arts and Sciences (LARAS)
Voting Member  (LATIN GRAMMY AWARDS)

The College Music Society (CMS)
ARIA Project Leader and Faculty, 1998-present
Advisory Committee, Cultural Diversity, 2001-present
Board Member for Music in General Studies for 1996-2000
Program Committee, 1996 - 1999, Atlanta, Cleveland, Puerto Rico, Denver meetings.
Advisory Committee, Music in General Studies, 1994-96
Advisory Committee, Music, Women, and Gender Issues, 1992-94

Society for the Study of Indigenous Languages of the Americas

Music Educators National Conference (MENC)
Presenter, National Biennial In-Service Conference, Kansas City, 1996
Certified Adjudicator, Connecticut Music Educators Association, 1995-96
Connecticut Multicultural Specialist, 1995-96
Florida Music Educators Association, 1996-97

Oklahoma Inter-Tribal Veterans Auxiliary
Honorary Co-Chair, 1990-92


Musical Experience:

Cantor
Saint John the Evangelist Catholic Church
Boca Raton, Florida 1999-2000

Flute and Piccolo
Study with Charles and Beverly Bradley
Warren Little (Atlanta Symphony)
James Pappoutsakis (Boston Symphony)

Recorders
Emory University Consort
University of Oklahoma Collegium Musicum
Early Music Television Video: Life of Thomas Morley

Native American Flute
Student of Richard Payne, Master Plains Indian Flute Maker
Member, International Native American Flute Association

Lyric Mezzo Soprano
Primary teacher: Sean Daniel, University of Oklahoma
Master Classes: William Warfield, John Wustman
Performances with University of Oklahoma Theater:

1989 Siebel Faust (Gounod)
1987 Miss Pinkerton The Old Maid and the Thief(Menotti)
1987 Amanda The Glass Menagerie(Tennessee Williams)

Performances with Cimarron Circuit Opera Company:

1988 Grandmother Little Red Riding Hood (Seymour Barab)
1988 Singing Narrator Sweet Betsy From Pike
1987 scenes and arias Opera a la Carte
1987 song revue Gershwin and Kern

 

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